The Red Badge of Courage as a Naturalistic Work with Realistic Tendencies :: The Red Badge of Courage

The Red Badge of Courage as a Naturalistic Work with Realistic Tendencies    The Red Badge of Courage by Stephen Crane, one of the most significant and renowned books in American literature, defies outright classification, showing traits of both the realist and naturalist movements. It is a classic, however, precisely because it does so without sacrificing unity or poignancy. The Red Badge of Courage belongs unequivocally to the naturalist genre, but realism is also present and used to great effect. The conflict between these styles mirrors the bloody clash of the war described in the book – and the eternal struggle between good and evil in human nature. There are many characteristics in Crane’s novel that would more readily fit within the category of realism: the ordinariness of his characters, the use of dialect, the portrayal of protagonist Henry Fleming as a complex individual, the description of nature as disinterested in human affairs, and the positive ending of the story. Realism, often described as "slice of life" or "photographic" writing, attempts to portray life exactly as it is, without twisting it or reworking it to fit it into preconceived notions of what is appropriate or what is aesthetically pleasing. In this book, Crane relies on neither the oversimplified rationalism of classicist literature nor the emotional idealism of romantic prose. Instead, he offers realistic, believable characters with average abilities. The soldiers are presented neither as epic heroes nor as bloodthirsty killers; rather, their most noticeable trait is their overwhelming normalcy. The soldiers of Henry’s regiment curse, fight, and argue just like normal people. This down-to-earth, gritty, everyday style is characteristic of realism. A particular convention used by Crane in convincing the reader of his characters’ existence is dialect. The distinctive speech of the soldiers enhances the photographic effect of the novel, lending it authenticity. Another distinctive trait of realism is complexity of character – a trait readily evident in Henry Fleming. As he switches between cowardice and heroism, compassion and contempt, and optimism and pessimism, the reader observes that he is more than just a stereotype. He is a person with fears, hopes, dreams, and foibles. Nature is often portrayed as indifferent or disinterested in the affairs of humankind. Whereas naturalism involves emphasis on the hostility of nature, realism lacks this trait. For example, after fighting a battle, "the youth [feels] a flash of astonishment at the blue, pure sky and the sun gleaming on the trees and fields. The Red Badge of Courage as a Naturalistic Work with Realistic Tendencies :: The Red Badge of Courage The Red Badge of Courage as a Naturalistic Work with Realistic Tendencies    The Red Badge of Courage by Stephen Crane, one of the most significant and renowned books in American literature, defies outright classification, showing traits of both the realist and naturalist movements. It is a classic, however, precisely because it does so without sacrificing unity or poignancy. The Red Badge of Courage belongs unequivocally to the naturalist genre, but realism is also present and used to great effect. The conflict between these styles mirrors the bloody clash of the war described in the book – and the eternal struggle between good and evil in human nature. There are many characteristics in Crane’s novel that would more readily fit within the category of realism: the ordinariness of his characters, the use of dialect, the portrayal of protagonist Henry Fleming as a complex individual, the description of nature as disinterested in human affairs, and the positive ending of the story. Realism, often described as "slice of life" or "photographic" writing, attempts to portray life exactly as it is, without twisting it or reworking it to fit it into preconceived notions of what is appropriate or what is aesthetically pleasing. In this book, Crane relies on neither the oversimplified rationalism of classicist literature nor the emotional idealism of romantic prose. Instead, he offers realistic, believable characters with average abilities. The soldiers are presented neither as epic heroes nor as bloodthirsty killers; rather, their most noticeable trait is their overwhelming normalcy. The soldiers of Henry’s regiment curse, fight, and argue just like normal people. This down-to-earth, gritty, everyday style is characteristic of realism. A particular convention used by Crane in convincing the reader of his characters’ existence is dialect. The distinctive speech of the soldiers enhances the photographic effect of the novel, lending it authenticity. Another distinctive trait of realism is complexity of character – a trait readily evident in Henry Fleming. As he switches between cowardice and heroism, compassion and contempt, and optimism and pessimism, the reader observes that he is more than just a stereotype. He is a person with fears, hopes, dreams, and foibles. Nature is often portrayed as indifferent or disinterested in the affairs of humankind. Whereas naturalism involves emphasis on the hostility of nature, realism lacks this trait. For example, after fighting a battle, "the youth [feels] a flash of astonishment at the blue, pure sky and the sun gleaming on the trees and fields.

The Life and Times of Rosie the Riveter Essay -- American History

The film titled, â€Å"The Life and Times of Rosie the Riveter†, looks at the roles of women during and after World War II within the U.S. The film interviews five women who had experienced the World War II effects in the U.S, two who were Caucasian and three who were African American. These five women, who were among the millions of women recruited into skilled male-oriented jobs during World War II, shared insight into how women were treated, viewed and mainly controlled. Along with the interviews are clips from U.S. government propaganda films, news reports from the media, March of Time films, and newspaper stories, all depicting how women are to take "the men’s" places to keep up with industrial production, while reassured that their duties were fulfilling the patriotic and feminine role. After the war the government and media had changed their message as women were to resume the role of the housewife, maid and mother to stay out of the way of returning soldiers. Thus the patriotic and feminine role was nothing but a mystified tactic the government used to maintain the American economic structure during the world war period. It is the contention of this paper to explore how several groups of women were treated as mindless individuals that could be controlled and disposed of through the government arranging social institutions, media manipulation and propaganda, and assumptions behind women’s tendencies which forced â€Å"Rosie the Riveter† to become a male dominated concept. Since the war began women were led to believe that they were the ones who had to be the patriotic sacrifice until the men came home from war. The film reveals how the government used the media to alternately urge women to give up such elements of their feminin... ...owards more love stories. Essentially more forms of propaganda ensued to let women know what they should be doing. More domestic jobs became available such as being a maid, restaurant work, dishwashing and cleaning. However women who worked war jobs wanted their own maids now so they could pursue their own dreams. They felt inspired and accomplished. Lola Wiexl mentioned that although skills within the workforce were easily learned, within the household traditions still persisted. Lola herself said she'd go home cook, clean and do the laundry while her brother laid on the couch. She didn't question it before but she was angry about it for years after her war time experience. Thus patriarchal hegemonies still existed after the war and were perpetuated by the government and media as much as possible to solicit women who participated in activities outside of the home.

Essay --

On BBC documentary called Seven Ages of Britain, which was hosted by David Dimbleby, one of the most famous contemporary artists, Damien Hirst, was once asked that did he pay for all the diamonds to make For the Love of God (2007, figure 1), which is so called as the diamond skull because it is made of a plenty of diamonds. Hirst answered that artists used what around him or her, and money was around him. Therefore, he thought that what he could do with money, and he could do something amazing with them. Consequently, he created For the Love God. What should be spotlighted is the point that an artist creates his or her works with materials, which are around them. As Damien Hirst said that money was around him, money was around people in the world whether the amount of money is great or humble. In short, money is one thing that people, including artists, could easily find in their routine life. Therefore, there has been a possibility that artists could try to create his or her works with money. Or at least, some artists see money as their potential art medium. There are several artists who actually tried to make his or her works with money. It is not saying that artists make money by their works, or artists make their works with supporting of their rich patrons. Also, it is not saying that artists design the currency. However, artists who create his or her works with money are artists who are using actual money as their medium in this paper. Furthermore, those art works, which are using money as their important medium, would be called as ‘money art’ in this paper. In short, there are some artists internationally who create money art; for example, Andrà © Levy, Justin Smith, Hasegawa Yosuke, and so on. Among money art artists, I wo... ...ously representing the real world. He uses various banknotes form other counties. For example, he uses U.S. dollars ($), British pounds ( £), Japanese yens ( ¥), Korean wons (â‚ ©), European euros (â‚ ¬), and so on. These currencies are representing their countries. He does not cover their nationalities, so it is possible to say his works are representing their nationalities. Also, the currency represents economy and politic. Even though he tried to cover money’s economical value, it is impossible to remove its value as economical index because it is money. Also, most of figures portrayed on money are political figures of their country. Therefore, money is a metaphor of one nation’s political and economic status. Hasegawa Yosuke illustrates Globalization of today’s world by putting his moneygami together. Shortly, his money origami works are representing the real world.

Salman Rushdie

Sir Ahmed Salman Rushdie is unarguably one of the most controversial contemporary English novelist. His novelistic sensibility is individualistic and entrepreneurial, making him a literary risk-taker even at the age of 58. He hates all orthodoxies-religious as well as literary. His literary iconoclasm has won him a distinguished place in pantheons of worlds contemporary writers. Whereas his religious iconoclasm has made him an infamous figure amongst the Muslims worldwide. He stands for free speech in writings. His novels are often political statements. ‘The Satanic Verses’ brought this Indian born Muslim uthor violent ire from Muslim world. The novel was interpreted as blasphemous and an insult to prophet Muhammad. Overnight Rushdie became an iconoclast for his blasphemy. It was the first instant in modern times that a government had issued a death sentence ‘ fatwa, in Islamic fashion’ to a foreign national. And the censorship on this novel by the Islamic c ountries caused much international diplomatic crisis. The Western and the Muslim world was now culturally divided. The core value of ‘ freedom of expression ‘ was pitted against the ‘intolerance for insult to Prophet. Muhammad’ , the messiah of Muslims. The novels of Salman Rushdie evoked much controversy even before The Satanic Verses. Rushdie as a writer played the role of an ‘antagonist to the state. ’ Many have called Rushdie an intellectual who criticizes or ridicules nearly everything. It is this intellectual daring that offends and embitters people. His books attack and revile the Gandhis and modern India, the leadership in Pakistan,American foreign policy,fundamentalist Islam and Britain et al . He critisizes the West for their social, cultural and political colonialism. His ttacks come with his charecteristic non-chalance, typical of him. If Rushdies views are to be interpreted, ‘ insults’ are justified as a part of artistic freedom which should ensure liberty to ‘offend’ cherished beliefs. Rushdie is a self-confessed aposta te. This further provokes the ire of Muslim clerics. This essay begins by assuming that ‘intellectualism’ is not an end in itself and therefore should be sensitized to the needs of global audience. Reason in art should not evoke passions, else, it shall defeat it’s own purpose. An artists reason should be in harmony with his own passion for art. In ‘Kahlil Gibran’s’ words , a man’s reason and passion are the rudder and sails of the seafaring soul. If either of them is broken he can but toss and drift or be at standstill in mid-seas. There is even a school of thought advocating ‘Art for art’s sake’. Politicizing art has it’s own perils . A political statement made through a literary or artistic work in truth further divides the society. History is replete with examples of civil unrest caused when artist makes a political statement through his work of art. Hence, the people are ‘right to be offended’ by Rushdies novels. However, Rushdies novels have often offended people because of misinterpretation or rumors. He has been considered to be siding with the West instead of the Islamic Orientalists. The language of the book ‘ English’ was a matter controversy. His novels have been considered to be based upon flights of literary imagination, subjectivity and unscientific facts. Hence there have been numerous complaints about the novels inaccuracies; lack of critical appraisals and historical research. The Muslim world limits free speech as a part of it’s religious ethics and ethos. They are not yet prepared for he concept of free speech and blasphemy against religion. The gulf between the Christian West and Muslim Middle-East remains and has Historical roots mentioned in the holy books like Bible and Qur’an. Hence any artistic work by an individual iconoclast might be considered as a war propaganda of America and Britain against Islam. What adds fuel to this fire is that despit e the passionate protests by the Muslim world many Western governments didn’t ban The Satanic Verses. The Western media widened the gulf between the Muslim protesters and Rushdies supporters. Far from peace making efforts it spiced the affair. Rushdie earned $ 2 million USD in the first year of publication of ‘The Satanic Verses’. The ‘ Fatwa’ ,bans and international protests only gave Rushdie more publicity. The public got the much wanted spice. The West has become immune to taboo and sacrilege. Blasphemy is nothing new. Many controversial and dangerous works of art are freely available in the West. Blasphemy against Jesus doesn’t shock the West anymore. The Nazi holocaust portrayed in many films sells defying controversies. There is much cynicism in the West. Perhaps a consequence of too much progress with materialism. Consequentially, there is utter disregard to human sensitivities. The West just can not understand the cultural apparatus in which the Muslims are brought up. Islam is most sacred to them. Satanic Verses thus caused hurt and anger to the Muslims. The media too turned away from the Muslims during and after the Rushdie Affair. Muslims felt estranged and isolated. The West gauges other societies with their ability to assimilate into their own society. Muslims were portrayed as narrow- minded ‘fanatics’ and ‘fundamentalists’ because they were ‘anti-democratic’ and ‘anti- liberal’. After the Rushdie Affair the anti-Islamic sentiment was reborn in the West. The anti-Islamic tradition has been depicted in Western literature even in the Medieval period. Rushdie offended the Muslims with direct derogatory references to Prophet Mohammad and his companions. The texts in his novel ‘ The Satanic references ‘ cast aspersion on the chastity of the supremely revered prophet Muhammad. He rebukes the Muslim society to the extent of calling it Jahil ( Ignorant). Western critiques use their own yardsticks to measure Muslim reactions and literary attacks on them. Muslims have been ontinually offended by Rushdie. Adding insult to injury his publishing company, Random House, announced publishing a new paperback edition of The Satanic Verses on April the 7th 1998; the day Muslims celebrate Eid Ul-Adha, the holiest day of the Islamic calendar ( Abdul Adil's article ‘Rushdie Provokes Muslims', The Muslim News, 24th April 1998). Rushdies adventures with the pen don’t end up with ‘The Satanic Verses’. He paints a dismal and grotesque picture of Pakistan. Many orthodox patriotic Pakistani Muslims would protest it. He describes Pakistan as being caught between bscurity and march towards modernism. In the novel ‘Shame’ he makes a mockery of the political turmoil, military coups, corruption and censorship on art in Pakistan. In his characteristic style he chooses the characters of his novels based upon real life political figures. He writes political satires that insensitively ridicule these political figures and the political establishments themselves. In ‘The Moor’s Last Sigh’ Salman Rushdie lashes at Hindu fanaticism. Rushdies ‘Hindu fanatic character’ is convinced of eliminating Muslims from India. Bombay bursts into flames of communal riots. He comments Bombay is no more the city of his youth days – the bustling metropolis. He now describes it as a city of religious fanatics and mafia dons. The book is about the countries departing from harmless and innocent way of life. In the novel the downfall of a family portrays the downfall of a nation. The Rushdie compares Hindu fundamentalism with the Nazi racist ideology justifying minority genocide. Rise in Hindu fervor, popularly known as ‘the saffron surge’ can be considered as a representation of a Hindu political stance. His comparative analysis with Nazism in World War –2 Germany is taking things a little bit too far. This might offend many Hindu conservatives. In this way Rushdie exaggerates the spurt in Hindu activism to the extent of being destructive to India as a secular nation. In ‘Midnight’s Children’ he accuses Indira Gandhi, the Prime Minister of India of assuring the Hindu majority vote by appropriating the images of Hindu Goddesses. He accuses right wing Hindu’s of distorting History and accuses them of taking revenge from History. He criticizes all political parties in India on some or the other ground and spares none. Conclusion : Thus, it is reasonable to conclude that the people are right in being offended by Rushdies novels. He doesn’t censor his own flamboyant spirit as a writer. His personal dislikes bias his literary works. Iconoclasm should be ventured if it is tolerable. Rushdies daring intellectual attacks in his literary works reflect his insensitivity towards peoples core beliefs. What offends people even more is that he doesn’t regret the damage that people assume he causes. Perhaps he is too ahead of the people in time. A fact that he himself doesn’t realize. The gulf between the liberal West and the predominantly Oriental. East can’t be bridged overnight. Especially not with a few strokes of the pen. In an ideological conflict between these two rival parties other groups with vested interests make gains. For example : the Western media, the oil companies etc. 9/11 and it’s aftermath have heightened the tension and sensitivity in the relations between the West and the Muslim world. In this scenario his novels could be even more offensive. They could act as catalysts and trigger violent protests. The 9/11 terrorist attack has once again opened the wounds and the scars left by crusades in the course of History. Rushdie is anti-establishment. He has to take this stance as he is by nature against all orthodoxies. His works are political statements in themselves. The political satires he writes win him political ire. He makes rivals not only out of individuals and groups but also out of political establishments. Even the purpose of his intellectual activity, journey and destination are unknown. Sheer intellectual activity leads nowhere. Intellect is like a knife that cuts both ways. It hurts both the parties. The sea of life can be crossed only in an arc of faith.

MAS 500 operating system

MAS 500 operating system can increase efficiency in management. It was built up with Microsoft office and Visual Basic and has been seen as good financial accounting software. (Sage software) MAS 500 can integrate business intelligence; order processing, distribution and manufacture (Sage software) and is designed to help companies manage operations. The software is dependable and reliable and covers all areas of e –business and can support large volumes of data and respond to growth in the business. (Tech target. 2008) MAS 500integrates with other applications and can be customised without programming.(Tech target. 2008) The disadvantage in its implementation is the cost involved to purchase the software and then train staff to use it. However, with the increased efficiency MAS 500 is often seen as a good investment reducing costs in the long run. The time taken to upgrade can be seen as a disadvantage as it cuts into business profits. MAS 500 have been seen that leading comp anies have taken this new software. Fortune Brands has upgraded and MAS 500 performs general ledger, accounts payable and cash management tasks. (Best software, 2003).MAS 500 can automate areas of business management such as core and advanced financials, customer relationship management, project accounting, time and expense tracking, wholesale distribution, discrete manufacturing, warehouse management, human resources, payroll, e-business and business intelligence. (TechTarget. 2008)MAS 500 is user friendly and allows most companies to run it quickly in less time then previous soft wares. (Best software, 2003) Thus the cost constraint would eventually be outweighed by the many benefits this software has to offer.References Best software (2003) A most admired company selects MAS 500 and ASP. Retrieved from the World Wide Web on the 14Th of November 2008:http://whitepapers. silicon. com/0,39024759,60040974p,00. htm Sage software. Sage MAS 500 retrieved from the World Wide Web on the 1 4Th of November 2008: http://www. sagemas. com/products/sagemas500/ Tech Target. (2008) Sage Software. Sage MAS500. Retrieved from the World Wide Web on the 14Th of November 2008: http://www. 2020software. com/products/Sage_MAS_500. asp

Size 0 Ban

Jenny’s 2nd rebuttal (: (2 minutes) Size zero In our society, image is everything. We strive for what is considered to be the â€Å"ideal appearance†. For the modern generation, fashion is uppermost. For some girls their ambition is to become â€Å"size zero†. We want or need to show we are following the latest fashion trends. However, recent news reports indicate that size zero models are so obsessed with their size that they become anorexic. Being fascinated by the fashion industry myself, it is important to explore the question: â€Å"Why should or should not size zero models be allowed to walk on the catwalk? Size zero models should not be allowed on the catwalk. They are a bad influence on teenage girls who desire to look like these size zero â€Å"role† models. Young girls who attempt a â€Å"zero† do not develop as they should. They are more likely to have severe health concerns later on in life. Also Karl Largerfield from Chanel explained t hat the fashion industry only used skinny models becasue they were literally meant to be moving mannequins/hangers so that the clothes would be seen at their minimum potential.But the media twisted things. A further argument that we frequently encounter, is that size zero puts pressure on young women who are overweight. By comparing themselves to â€Å"zeros† young women only achieve low self-esteem. They are made to think they are unattractive. They go through the stress of unsafe cosmetic surgeries such as tummy tucks, to appear like fashion icons. Celebrity nutritionist Dr Adam Carey says that, â€Å"I think the current vogue is disgusting. I think it is very unhealthy. It is also argued that many girls who are wanting to become models in the future, put themselves through a lot of anxiety to be slim, so they get accepted in the fashion industry. These girls attempt to try to be lean by starving themselves which can result in eating disorders. Some people believe that siz e zero models should not be banned because they have the same right as everyone else to become a model. However, if everyone did have the right to become a model, then the runways would be filled with a wide variety of different sized girls, not just the same tiny girls over and over again.You can't see what's horrible about only taking models who are underweight? And it's a lot different to ask for brunette models only: What about the size 5 models who want to be in this organization? They would have to lose weight, and we all know the dire consequences that can arise out of this. It's disgusting that a requirement they have is to be amongst the skinniest of the skinniest. It's quite obvious that girls are needing to become smaller and smaller for the modeling industry. Just imagine what it's gonna be like for girls in the future.

Future Law Enforcement Weapons Essay

Everyday technology is taking advances in all fields of work forces, Especially Law Enforcement. Todays as well as future technology will make the jobs of those in the military and law enforcement easier as well as safer. As technology is breaking through, amendments 4 and 8 in the constitution need to be taken in consideration. The technologies may not be used to punish, and if it is searching equipment, a warrant is needed unless it will be used for sudden reasons of safety. In the future, instead of a normal squad car, someone might see a bulletproof truck. What is cool about it is that, they are strictly for the safety of police officers; they do not need to worry about a warrant, or hurting someone. This tool in the future would save officers lives. The bulletproof trucks are crash resistant/ damage resistant, during a high speed chase, and can possible handle a small missile fire. The portable radar system is a lightweight tool that sees through walls. This tool also promotes officer safety, it allows a building to be searched from the outside, detecting anything potentially dangerous on the inside. The officer would not have a problem with the 8th Amendment, this tool is not a weapon, it cannot be used to punish, restrain, or temporarily injure a suspect in anyway. Although the 4th Amendment would be needed to in consideration, because it is a tool that may be used to search private property. In order for Law enforcement to search another person’s property, a warrant is needed; it does not matter if the officers are searching from the inside or the outside, in this case the outside. Only when the safety of a person is threatened, may Law Enforcement use this tool without a warrant. The grill mount Launcher, is a tool that attaches to the vehicle, and it allows the police officer to shoot a GPS system onto another vehicle to track. This tool would be useful during a high speed chase; the suspect could get away, but completely unaware that their vehicle had a GPS that was tracking them. The Grill mount Launcher is strictly a tracking system; it does not violate the 4th or 8th Amendments. This tool does not having searching abilities, or the potential to hurt anybody. The officer should be free to use this tool any time a situation calls for it. The strobe lamp is a handheld tool with extremely bright lights, which causes temporary blindness. This tool promotes citizen safety, this tool is not a deadly weapon, it does not have a potential danger for a by-stander; In addition this tool most likely not kill the suspect, the strobe lamp provides alternate options for a police officer to take someone into custody, other than a gun, or handcuffs. This tool could not possibly violate the 4th amendment. A weapon is any device used for attack or defense against an opponent. Since the strobe lamp does cause pain, and the suspect to temporarily lose their vision, it is considered a weapon, which means an officer has to follow the 8thamendment. A Law Enforcement officer cannot use this weapon on a suspect because they deserve it, only may this tool be used, if the suspect is posing an immediate threat on the officer or another person. The Automatic License Plate Recognition Device allows police officer to check thousands of license plates, to determine if vehicles are stolen, if registered owners are wanted, if driver’s licenses are expired or revoked. The system also takes a picture of the car license plate and registers the code into a database. This tool allows the officer possibly find the name and history of the suspect easily. This tool is similar to the grill Mount Launcher GPS as far as tracking the suspect. This tool has no relation to the 4th and the 8th amendments, it does not harm, and it is only for Law Enforcement benefit only. Most of today’s Law enforcement technology does have to be used carefully, in order to avoid problems with Amendments of the Constitution, but ultimately they provide non-lethal weapon options to use on suspects, citizen safety, in addition to Police Officer safety,